I started building this body of work as a way to examine my relationship with curiosity. This is only the beginning of my investigation and my first interest, the forest, seemed an appropriate place to launch.
When I remember being small, in the forest, the first thing that comes to mind is the feeling of pine sap on my fingers. I know it’s sticky and is going to take three days to wash it off, but I can’t help myself. I always pick up pine cones, needing to feel the prickle of the scales and admire the spiral that embellishes the bottom. The sense of touch is prominent in all my early forest memories. I can feel my feet dragging through the sea of pine straw in the thicket I used to play in with my brothers. We would make a collection of all the relics we found and put them on a shelf in our fort. The forest, my encyclopedia of texture, has held my attention since.
While working on this series, it became apparent that I was constructing an homage to a child’s curiosity.I am excited to explore curiosity in a broader way. I hope embracing it will allow me to move through this world with more empathy and generosity.